Thursday, August 07, 2008

Readers respond

In the September '08 Jazz Times, there are two letters in response to my column on jazz and politics (pdf here). Both focus on my unsurprising and by now barely controversial endorsement of Barack Obama.

The first letter is a classic:

Regarding David R. Adler's recent Solo guest column: Although most jazz devotees may reside on the left, there are exceptions. Barack Obama's leftist utterances and references are not the recipe for cleansing and healing, but serve to create further divisions. I will make a side bet with Mr. Adler that an Obama presidency leaves this country worse off rather than better. Lastly, I hope that Jazz Times continues to bring us the music and lets such sad political commentary remain in the leftist rags where people like Adler can rant to themselves.
Harold Black
Knoxville, Tenn.

Oh, Mr. Black. I only rant to myself here at Lerterland, and a good deal of my ranting is about leftist rags. And so sometimes leftists mistake me for a rightist (I'm a diehard social democrat). But I'm hardly surprised when a rightist mistakes me for a leftist. As Stewie from The Family Guy once said, World keeps on spinnin'.

As for Mr. Black's argument about Obama, I'd respond if there were an actual argument on offer.

The second letter, from Tom Semioli of New York, contends that Obama is not nearly leftist enough.

Semioli is a Naderite (I was too, back when) — here he is taking Michael Moore to task in an open letter published at Counterpunch, the leftist rag to end all leftist rags, a webzine that recently published material by Eric Walberg, a notorious antisemite and far-right fellow traveler. I'm not saying Semioli is too. I'm wondering why his principles demand he oppose Obama, yet permit him to wallow with the Counterpunchers.

3 comments:

DJA said...

I'm currently reading Rick Perlstein's excelelnt Nixonland and I'm wondering if these conservative jazz fans were also conservative in the 1960's. Did they support the politics of people like Goldwater, Nixon, Reagan, etc, in all of their shamless race-baiting, anti-civil rights glory? If so, did they see any disconnect between supporting the individuals who originated the music they were listening to, and also supporting the politicians who thrived on stoking the fires of white anxiety and white resentment?

In other words, how can you listen to Charles Mingus while politically identifying with the movement that fought every bit of civil rights legislation tooth and nail, and originated the "Southern strategy"?

David R. Adler said...

They're entitled to their view and all - what I don't get is their demand that we keep jazz out of politics, as if it's ever been that way.

Vinny said...

Jazz has always been protest music. Has been and always will be...

Or as Monk famously remarked: "Jazz is Freedom!"

Vinson Valega
Consilience Productions
New York City